PANTO WARS: OH YES THEY DID
Affairs, Behind the Scenes, 17 November 2020
PANTO MAY be for the kids, but there were lots of grown up people throwing their toys out of the pram over it in recent days. First up were Alan Hughes and Karl Broderick, who took umbrage at their company, Anthem Productions, being left off the Government’s €5m Live Performance Scheme. Broderick went on social… Read more »
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TV REVIEW: THE DEN (RTE ONE)
Affairs, Behind the Scenes, 17 November 2020
RTE HAS spent considerable time recently hyping a turkey – and for once, it isn’t a new sitcom. Rather, they have built anticipation for the return of Dustin and Zig & Zag on The Den, the staple of Gen X childhoods now given a fresh run until Christmas on Sunday evenings. For most TV channels,… Read more »
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RTÉ DIGITAL FUTURE?
Affairs, Behind the Scenes, 17 November 2020
FRUSTRATED VIEWERS of the beloved RTÉ Player will not have found much comfort at recent Oireachtas hearings. Adrian Lynch, Director of Audience, Channels and Marketing at RTÉ, was among contributors at the Communications Committee on Wednesday. The executive was ebullient about the national broadcaster’s response to the pandemic this year but funding challenges at Montrose… Read more »
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BOOK REVIEW: LOVE (RODDY DOYLE)
Affairs, Behind the Scenes, 6 November 2020
LIKE MUCH of Roddy Doyle’s fiction, his 13th novel for adults is made up largely of dialogue. Since the success of The Commitments (published 33 years ago), the author has honed his pared-down prose style to tell stories primarily of working-class people from the northside of Dublin. Using sometimes witty, minimalist and repetitive language, the… Read more »
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TV REVIEW: DEAD STILL
Affairs, Behind the Scenes, 5 November 2020
The premiere of Dead Still on Halloween weekend proved appropriate, given that there are few scarier prospects than a new RTE drama series. The brainchild of Kilkenny writer John Morton, the show proved reasonably diverting and had some nice comedic flourishes, though it will take a lot more to breathe new life into RTE’s entertainment… Read more »
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PODCAST REVIEW: THAT GREAT BUSINESS SHOW
Affairs, Behind the Scenes, 13 October 2020
A YEAR ago, former Leinster and Ireland rugby ace Jamie Heaslip asked his Twitter, “Should I start a podcast?”, resulting in a thumbs down from more than 80% of the respondents. But, true competitor that he is, Heaslip deleted the tweet and has now teamed up with consultant and broadcaster Conall Ó Móráin to launch That… Read more »
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BOOK REVIEW: THE HILL (BERNARD BROGAN WITH KIERAN SHANNON)
Behind the Scenes, 16 September 2020
THE FIRST of what’s sure to be an avalanche of memoirs from Dublin’s five-in-a-row team arrives courtesy of The Hill, an underwhelming effort by star forward Bernard Brogan and sports hack Kieran Shannon. Comically, the story is presented as an against-all-odds tale of sporting endeavour. It’s an angle that fails to convince, given that Brogan… Read more »
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TV REVIEW: THE SOUTH WESTERLIES
Affairs, Behind the Scenes, 8 September 2020
SOMETIMES WITH new TV programmes, the production back-story is rather more interesting than production itself. RTE’s new prime-time, Sunday night offering, The South Westerlies, produced by Paul Donovan’s Deadpan Pictures and directed by Simon Gibney, blows cold rather than hot, and there’s five more long hours to come. Deadpan has specialised in comedy drama and… Read more »
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AUTUMN BLUES
Affairs, Behind the Scenes, 29 August 2020
THE NEWLY released RTE autumn schedules promise “18 hours of new Irish drama” – much of which could be taking place in the RTE canteen. Indeed, the riveting subplots that have developed around replacing Sean O’Rourke will likely prove more compelling than any of the national broadcaster’s scripted output. Given the pressing need to… Read more »
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TV REVIEW: NO PLACE LIKE HOME (RTÉ ONE)
Behind the Scenes, 11 August 2020
WITH RTE having already provided full PR services for the Department of Health and local business during the pandemic, Goldhawk recently wondered which sector was next in line for promotional treatment. This week, domestic tourism received a lengthy advertisement courtesy of the Fáilte Ireland-sponsored No Place Like Home. Wails of despair were audible from Montrose… Read more »
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FILM REVIEW: BROKEN LAW
Behind the Scenes, 7 August 2020
CINEMAS HAVE gradually reopened over the last few weeks, some offering a chance to view released Irish films affected by the shutdown, like Calm With Horses from Element Pictures, or titles that were forced onto an online platform, such as Neasa Hardiman’s Sea Fever. Paddy Slattery’s crime drama, Broken Law, is among the few new… Read more »
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SAVING SALLY ROONEY’S NEXT SHOW
Behind the Scenes, 31 July 2020
A DECISION by the UK government to provide Covid-19 insurance cover for the film and TV industry will put considerable pressure on Pascal Donohoe, Catherine Martin and Leo Varadkar to bend to pressure from Screen Ireland, IBEC, and Screen Producers Ireland to follow suit … especially if they want to keep the next Sally Rooney… Read more »
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TV REVIEW: HAWKS AND DOVES (RTE1)
Behind the Scenes, 8 July 2020
THE NATIONAL broadcaster had something of a coup in drawing Michael Portillo back for a second look at the Irish revolutionary period. Long before reality TV stars went to the White House, Portillo like Alastair Campbell went the other direction; reinventing themselves as benign media figures after a villainous career in politics. The former Tory… Read more »
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TV REVIEW: SOCIALLY DISTANT (RTE ONE)
Behind the Scenes, 6 July 2020
LEAVING ASIDE Frank Feighan’s bizarre comments about “cocaine snorters” in RTE, this week’s ‘comedy’, Socially Distant, certainly begs the question of what exactly the commissioning editors are on. Unfortunately, James Cotter’s lockdown effort – broadcast on Monday – was predictably quarantined from any outbreak of infectious laughter. Cotter and RTE made much out of the… Read more »
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TV REVIEW: INSIDE IRELAND’S COVID BATTLE (RTÉ ONE)
Affairs, Behind the Scenes, 1 July 2020
AS WELL as documenting life for patients and staff in St James’s Hospital during the Covid-19 crisis, RTE Investigates: Inside Ireland’s Covid Battle inadvertently provided a fascinating into how the Irish media have covered the pandemic. The abject nihilism that has characterised the Indo’s coverage was again on display the paper’s feature on the two-part… Read more »
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REMOTE EARNING
Affairs, Behind the Scenes, 26 June 2020
ONE OF the ironies of the Covid-19 pandemic has been the need for public bodies to find inventive ways to spend idle money that might otherwise be clawed back by government departments. Back in April, the training division of Desiree Finnegan’s Screen Ireland, came up with a “stakeholders funding scheme” with a fund of €200,000…. Read more »
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FILM REVIEW: ARTEMIS FOWL
Behind the Scenes, 12 June 2020
WHEN DISNEY announced a few months back that, since cinemas were shuttered, its $125m adaptation of Eoin Colfer’s Artemis Fowl would ‘drop’ on their new Disney+ streaming platform, it was either a smart move to boost the new platform or a sign that ‘Fowl’ was, in fact, a turkey. Going ‘straight to video’ is not the opening gambit… Read more »
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WHO PROFITS FROM ‘NORMAL PEOPLE’?
Affairs, Behind the Scenes, 20 May 2020
WHATEVER ONE thinks of it, the Beeb’s TV adaptation of Sally Rooney’s Normal People has shown there’s life in the old maxim – sex sells, whether it’s Connell’s neck chain or digital streams. Ed Guiney and Andrew Lowe’s Element Pictures production for the BBC and Hulu, has become one of the hottest properties in a… Read more »
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JAMES MORRIS’S MEDIA PARK
Affairs, Behind the Scenes, 15 May 2020
THE €26.5m deal struck by James Morris, Alan Moloney and Gary Levinsohn with South Dublin County Council for 48 acres in D22, west of Clondalkin and Lucan, brings to an end the first phase of a four-year campaign to set up a large entertainment-media campus in Dublin. The boys had originally been focused on a… Read more »
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TV REVIEW: IRELAND ON CALL (RTÉ ONE)
Behind the Scenes, 1 May 2020
DURING THE Covid-19 crisis, RTE’s hastily-assembled filler show, Ireland On Call, has become the Department of Health’s Pravda. Indeed, with the series embedded in the department – from where it’s broadcast live twice a week – a more fitting title might be RTE On Message. Produced for Mntrose by Indiepics (“We make content that matters”)… Read more »
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EOIN COLFER’S SMALL SCREEN PLOT
Affairs, Behind the Scenes, 23 April 2020
GOLDHAWK’S LAST visit to the cinema Calm with Horses was to see on at a near deserted multiplex on March 13, its opening weekend. While it was the last weekend cinemas were open, it was already clear that punters were socially distancing ahead of government edicts. The film opened at 122 cinemas across the UK… Read more »
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BOOK REVIEW: MY AUTOBIOGRAPHY RORY BEST
Behind the Scenes, 3 April 2020
GOLDHAWK HAS just finished Rory Best’s autobiography, rather prosaically called My Autobiography, and it seems like his plan for the book was the same as Ireland’s plan for the last two rugby seasons: stick to a tightly controlled game plan on paper, only to come hopelessly undone in the real world against trickier opponents. Specifically,… Read more »
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BOOK REVIEW: CONCLUSIONS JOHN BOORMAN (FABER & FABER)
Behind the Scenes, 1 April 2020
BORN IN Shepperton, England in 1933, the filmmaker and Co Wicklow resident since 1970, John Boorman, has had a long innings. His latest work of memoir, a valedictory book, contains a telling story about an actual innings, or rather a fictitious, heroic innings where he, as a boy, was at bat. This was related to… Read more »
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RTE’S BOB GELDOF HAGIOGRAPHY
Behind the Scenes, 6 March 2020
FOR HIS latest crusade against injustice, Bob Geldof has chosen a somewhat unlikely target: the Boomtown Rats’ exclusion from the rock pantheon. Stretching across a new album, book, and now a two-part RTE special titled Citizens Of Boomtown, Geldof has gone on a full PR offensive to try and set the record straight. Perhaps unsurprisingly,… Read more »
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FILM REVIEW: JIHAD JANE
Behind the Scenes, 25 February 2020
CIARAN CASSIDY’S feature documentary Jihad Jane was released in cinemas on February 14, an appropriate date for a project originally, if misleadingly titled Jihad Jane – Dangerously Seeking Marriage. A better title perhaps was the one used for Cassidy’s first run at the story, the RTE radio documentary The Echo Chamber: The Story of Jihad… Read more »
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DENIS DESMOND’S DUD
Behind the Scenes, 21 February 2020
WHILE PROMOTER Denis ‘MCD’ Desmond tends to find himself backing winners in the concert game, he also invested in the movie business. The opening film of the Berlin International Film Festival has struck a bum note, however. Desiree Finnegan’s Screen Ireland film funding agency has a handsome stand at the current Berlinale – the Berlin… Read more »
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‘IRISH OSCARS’ SEQUEL FOR IFTA?
Behind the Scenes, 21 February 2020
IMMEDIATELY AHEAD of the Oscars being dished out in Hollywood, the Irish Film and Television Awards (IFTA) unveiled its new five year strategic plan and, almost immediately, founders Áine Moriarty and Deirdre Hopkins, have got a positive review. The two co-stars have been cast in the roles of directors and shareholders (1% each) in IFTA… Read more »
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JOHN ARKINS IN THE SPOTLIGHT
Affairs, Behind the Scenes, 7 November 2019
HALLOWEEN MAY not be the most auspicious date on which to close submissions for the audit by the Work Relations Commission (WRC) of the “Independent Film & Television Drama Production Sector” – the latest chapter in the glamorous industry’s decade of fraught industrial relations first reported by Goldhawk (see The Phoenix, 4/10/19). Some of the… Read more »
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REVIEWING GALWAY’S €10M CINEMA HORROR
Affairs, Behind the Scenes, 5 November 2019
FANS OF Goldhawk are well acquainted with the historical horror-show behind Galway’s bijou Pálás cinema, originally promoted by Lelia Doolan’s Solas Galway Picture Palace group and very heavily backed by the taxpayer through assorted agencies (See The Phoenix, 6/10/17). A spending review has now been quietly published by the Department of Culture and while many… Read more »
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TAXING MATTERS AT VISUAL IN CARLOW
Affairs, Behind the Scenes, 30 October 2019
WHAT ON earth is going on at VISUAL, the multi-million euro contemporary arts centre in Carlow? The board has lost eight directors and there has been no chief executive appointed since Ann Mulrooney departed for the Science Gallery Dublin almost a year ago. It also turns out there is a tax issue raising concerns. Things… Read more »
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IFTA’S MYSTERY PLOT
Affairs, Behind the Scenes, 18 October 2019
EARLIER THIS year (see The Phoenix, 8/2/19) Goldhawk noted a potential lacuna in the diaries of the nation’s celebs with the non-appearance on the calendar of this year’s IFTAs ceremony – Áine Moriarty and Deirdre Hopkins’s annual gong-fest for our deserving film and TV luvvies. Last year, the film and TV awards ceremonies took place… Read more »
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GOOD TIMES AT THE GATE
Behind the Scenes, 10 October 2019
THERE HAS been a cast change at the Abbey where its head of producing, Sarah Lynch, has decided to exit stage left after barely two years at the national theatre. She is heading up the street to the Gate, where Selina Cartmell apparently can do no wrong. Lynch is a well-known figure in Irish theatre,… Read more »
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THE ABBEY’S CASTING CHALLENGE
Behind the Scenes, 10 October 2019
STILL NO sign of a new board member at the Abbey Theatre, where there is a vacancy for someone who knows how to write plays. The vacancy was advertised a long time ago, but the process is dragging on. Meanwhile, the departure of Sarah Lynch from Lower Abbey Street may complicate matters. The advert seeking… Read more »
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KEVIN RAFTER’S BAPTISM
Behind the Scenes, 1 July 2019
LAST WEEK, the new chair of the Arts Council, Kevin Rafter, oversaw his first meeting of the board – a bruising two-day annual session reviewing policy and working through all the laborious recommendations for “arts grant funding” to organisations for 2020. (This precedes the more serious business of dishing out the “strategic funding” for the… Read more »
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SCREEN IRELAND’S DISTRIBUTORS
Behind the Scenes, 28 June 2019
FINANCIAL hand-outs in Screen Ireland’s 2017 annual report will no doubt be of interest to incoming boss Désirée Finnegan, who replaces James Hickey. Distribution support should catch her eye given Finnegan’s background as a senior exec in the distribution trade with Warner Brothers in London. The Irish film agency spent €464,000 supporting the distribution of… Read more »
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KATIE HOLLY’S IMPRESSIVE CUT
Behind the Scenes, 17 June 2019
IS THERE any state agency, aside Screen Ireland (chaired by Annie Doona), where some 8% of its ‘loan’ budget is mopped up by interests associated with one of the agency’s board members? In its quietly released annual report for 2017 (yes, 2017), Screen Ireland discloses that, of the €14.7m doled out in production and development… Read more »
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