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PROFILE: SUSAN KIRBY

YOUNG BLOOD: AOIFE MOORE

BOYLAN WON’T BE PRESS-GANGED INTO DUBLIN BAY SOUTH

BÓTHAR’S FUNDING ROADBLOCK

MAIREAD RONAN’S BUSINESS PARTNER

RTÉ’S EMPTY CHAIRS

ASHLING KILDUFF’S DESIGN FLAW

BEEBY ROLLS THE DICE

IAN SKEFFINGTON’S BIG PLANS

CUNNING COVENEY’S CONTORTIONS

Vol. 39 No. 10

ACTING UP

HARRIS HOIST

PETER KELLY’S ROUGH RIDE

FILM BOARD’S NEW CAST

IRISH COLONIAL ADVENTURE

KBC’S IRISH AFFAIR

RTÉ’S BOOT CAMP

THE HOT AIR BRIGADE

KATE GETS DOSE OF THE BLUES

SEÁN LEMASS DOUBLY HONOURED

THE FIRST (AND LAST) ITEM …

ROUND UP THE USUAL LOBBYISTS

AN TAISCE’S MEDIA DETRACTORS

BOG CUTTINGS

JANE TRENAMAN’S OPERA ROLE

NEW FACE FOR NCAD

MARY KELLY’S PRODUCTION

MY THERAPIST GHOSTED ME – VOGUE WILLIAMS / JOANNE MCNALLY

WHITE CITY – KEVIN POWER

JIM BOLGER’S DAWN RAID

SAM CURLING’S SURPRISE

COVID CASH BOOST

DATALEX BANKING ON POST-PANDEMIC BOOST

UNIPHAR NEEDS RIGHT PRESCRIPTION TO JUSTIFY ITS HUGE RATING

UCD COMPANY FAILS TEST